TYPE7 OPENS THE CARCHIVES PORSCHE CLOTHING VAULT
By Chief Editor | 6/2/2026
Type7 profiled The Carchives (@the.carchives.us), the archive run by a collector named Rodney whose focus is not cars but vintage Porsche Selection catalogue clothing, Erich Strenger race posters, and brand ephemera. The piece reads these garments as primary-source documents of what Porsche thought it was season to season, and traces Rodney''s obsession partly to the BlackBird 911 Turbo from the Wangan Midnight manga. With a dream garage of a 930 and 964 and a daily 1999 BMW M3, the collector models a thesis: collect the cloth and paper everyone else discards, not the logo.
Key Points
- Type7 opened The Carchives, collector Rodney's vault of vintage Porsche Selection catalogue clothing and ephemera
- Catalogue apparel was a marketing afterthought in small runs, which is exactly why surviving pieces read as material evidence
- Erich Strenger's original race posters anchor the collection as Porsche art-direction history
- Rodney traces his Porsche obsession to the BlackBird 911 Turbo from the Wangan Midnight anime; dream garage is a 930 and 964, daily is a 1999 M3
Start with the cloth. Before the cars, before the posters, before the Instagram handle that collectors now treat like a museum wing, there is a stack of old Porsche catalogue clothing that almost nobody kept. That is the point. The most valuable things in any archive are the things nobody thought were worth saving.
Type7 just opened the doors on The Carchives, the vault run by a collector named Rodney, and what it holds is not a car collection. It is a clothing and ephemera collection, and that distinction is the whole story.
## Rodney Calls It The Carchives
The handle is @the.carchives.us, and the joke in the name is doing real work. This is a car archive, yes, but the objects are textile and paper. Vintage Porsche Selection pieces, the official catalogue apparel that the brand sold alongside the cars for decades, plus race posters, lookbooks, and the kind of branded miscellany that usually ends up in a landfill.
Rodney treats this clothing the way a curator treats a garment, not the way a fan treats merch. The difference shows in the condition, the cataloguing, the refusal to wear the rarest pieces into the ground. You can feel the same impulse Type7 brings to the cars themselves, the documentary patience on display when [Type7 walks you through a warehouse](/quick/why-porsches-type-7-is-showing-you-a-warehouse-mpsprfxt) instead of staging a glossy shoot. Both are arguments that the context around the object matters as much as the object.
## Porsche Selection Was Never Meant to Last
Here is the thing about catalogue clothing. It was a marketing afterthought, printed in small runs, made to be worn at the track and then forgotten. Which is exactly why surviving pieces are rare and why the fabric tells you more than a spec sheet ever could.
The cut, the weight, the logos that changed slightly year to year, the polyester blends that date a jacket to a precise season. This is material evidence. A racing jacket from a Porsche Selection catalogue is a document of what the brand thought it was at that moment, who it imagined wearing it, and how much it was willing to spend on something that was never the product. Rodney reads these garments like primary sources, and he is right to.
Then there are the Erich Strenger posters, which belong in any conversation about Porsche as a visual idea. Strenger was the graphic mind behind decades of Porsche race posters, the bold collaged images that turned a 917 or a 935 win into a piece of design history. Owning the originals is owning the brand''s art direction at its sharpest.
## A Blackbird From an Anime Started This
The origin is better than any heritage marketing could script. Rodney traces his Porsche obsession partly to Wangan Midnight, the street-racing manga and anime where the BlackBird, a black 911 Turbo, haunts the expressway. A fictional car lit the fuse.
That is how taste actually forms, sideways, through a screen, long before anyone can afford the real thing. It is why the dream garage runs to a 930 and a 964 and the daily reality is a 1999 M3, a car he clearly loves on its own terms. The gap between the dream and the driveway is not a failure. It is the engine of every real collector, and it keeps the archive honest. Nobody assembles a vault like this for resale. They assemble it because a cartoon car rewired them at the wrong age.
## Buy the Poster Before the Car
If you are tempted to start your own version of this, the lesson is cheaper than you think. You do not need a 911 to collect Porsche. You need an eye for the cloth and the paper that everyone else discards.
Start with a real Strenger reprint or an honest catalogue piece, not a bootleg tee from a festival lot. The same discipline that built The Carchives is the discipline that built Type7''s whole point of view, visible again in the [992 ST built for Bangkok as a Sonderwunsch in signal orange](/quick/the-type7-porsche-992-st-built-for-bangkok-is-a-sonderwunsch-in-signal-orange-mnm552qf), where the story is in the spec, not the badge.
Collect the evidence, not the logo. Rodney figured that out before most. The cars are the easy part. The cloth is the truth.
Topics: Type7, The Carchives, Porsche, Porsche Selection, Erich Strenger, Wangan Midnight, archive, vintage