KIDSUPER PART 2 ANIMATES CLOTHES WITHOUT WEARERS

KidSuper Outside the Box Part 2 is out, introduced through a stop motion film credited to animator Jon Frier with music by Oranj Goodman. The clothes move without visible wearers, giving the collection's illustrated faces and figures the space usually occupied by a model.

The white background makes each change easy to follow. A dark top with pale birds, an olive hood and loose jeans briefly resolve into an outfit before another arrangement takes over. Elsewhere, a red and purple eye graphic appears above a striped collar, while bright collage imagery fills a jacket. The bodies remain absent; the clothing supplies the movement and character.

The first Outside the Box release foregrounded thermals, a leather jacket and hats before promising a second instalment. This new announcement confirms that Part 2 has arrived. Its Jon Frier credit also adds a distinct piece of moving image work to the season’s growing visual record.

Jon Frier Animates the Empty Outfits

KidSuper credits Jon Frier for the stop motion animation and Oranj Goodman for the accompanying song. The brand presents the film as a continuation of its Stop Motion Studio project.

The animation's central choice is visible in every outfit: there is no face above the collar and no hand at the end of a sleeve. That emptiness lets an illustrated eye or a patch on a trouser leg become the nearest thing to a character. The garments can change arrangement without requiring a model to leave and reenter the frame.

On the plain white ground, even a small shift in a hem or cuff is easy to register. The format gives the outline of an outfit the clarity of a product photograph, then breaks the stillness. It is a useful way to see the relationship between a busy upper layer and the larger, quieter area of dark trousers underneath.

The film credits belong to this short. Outside the Box also has its earlier runway and film context, but those productions should not be folded into Jon Frier's credit as though every moving image attached to the season were the same work.

Printed Eyes Take the Place of a Face

One animated look places a large red and purple eye graphic above a striped collar. Another combines a bright collage jacket with dark trousers carrying a face patch.

Those details give the empty outfits focal points at different heights. The eye sits where a viewer might expect to find the wearer's expression, while the trouser patch pulls attention down the leg. KidSuper's images already contain figures, so removing the live model leaves the printed ones easier to notice.

The striped collar provides a useful change of scale under the larger eye. Thin repeated lines meet a broad illustrated shape, keeping two layers distinct even when their colours overlap. In the collage look, the dark trousers perform a similar job by giving the upper layer room to remain visually dense.

The shown arrangement explains the relationship between the illustrated upper layers and the darker trousers beneath them. The film does not establish fabric weights, lining or the exact composition of every pictured piece. Its evidence is the silhouette, the layering and the placement of the graphics.

Part 2 Follows the First Retail Instalment

The current KidSuper announcement says Outside the Box Part 2 is available now. That changes the earlier promise of a Friday release into an announced retail arrival.

KidSuper's website and stores are the collection's named routes in the preceding rollout. Individual product availability still depends on the item and channel, so the animated film should be read as a presentation of the collection rather than a guarantee that every size remains on sale.

The label's recent Béis luggage collection applied Dillane's imagery to nine travel pieces. Here, the surface is clothing again, and the motion allows separate pieces to form temporary characters. A printed image that wraps a suitcase stays attached to a fixed shell; a jacket and trouser combination can be rearranged from frame to frame.

White Space Keeps the Layers Legible

The short uses a white background behind the animated clothing, leaving no photographed room to compete with the prints. The empty collars and sleeves remain visible against that ground.

That restraint in the setting makes the collection's busier surfaces easier to inspect. Birds, faces, stripes and collage can appear in quick succession without needing a new location for each look. The animation supplies the change, while the background stays consistent.

Part 2 therefore arrives with two concrete additions to the season's record: a confirmed release and a credited Jon Frier animation with Oranj Goodman's music. The eye graphic, the face patch and the unoccupied collars show how KidSuper makes those clothes perform even when nobody is wearing them.