FINALLY OFFLINE

FROM 4CHAN TO A24: HOW 'THE BACKROOMS' TOOK OVER THE INTERNET

By Editor in Chief | 5/29/2026

The Backrooms began as a 2019 4chan image in a thread asking for “disquieting images.” Kane Parsons (Kane Pixels) uploaded a 2022 found-footage short that has passed 78 million views.

Key Points

If you have been on the internet, there is a good chance you have seen something about "The Backrooms." What began as a single unsettling image has grown into one of the defining horror concepts of the online age, and it is now heading to theaters under one of the most respected studios in independent film. ## A 4chan Image That Spread The concept traces back to 2019, when an anonymous 4chan user posted an eerie photo in a thread asking for "disquieting images." With its yellow walls, fluorescent lights, and empty office-like layout, the picture tapped into a strange sense of deja vu. People could not explain why the image bothered them. It looked like a place they had been before, even if they could not name it. From there it spread. Reposts on Reddit, deep dive videos on YouTube, a wiki built by fans, and a sprawling shared lore that introduced levels, entities, escape routes, and rules. Over a few years, The Backrooms grew from one anonymous photo into a full internet mythology. ## The Liminal Space Aesthetic It also became one of the clearest examples of the liminal space aesthetic. These are places that feel both vast and claustrophobic, familiar and strange. Empty malls. Abandoned offices. Hotel hallways at three in the morning. Rooms built for people yet left vacant, seemingly endless, lit by the kind of fluorescent glow that makes time feel undefined. The aesthetic predates The Backrooms, but the original image gave it a name and a shape that people could share. Suddenly every empty parking garage and unused waiting room online was tagged with a wink toward the same idea. The Backrooms became the central node of an entire visual language. ## Kane Pixels And The Found-Footage Turn In 2022, a teenaged Kane Parsons, known online as Kane Pixels, uploaded his nine minute found-footage short "The Backrooms (Found Footage)" to YouTube. The video has since passed 78 million views and counting, helping push the concept even deeper into the mainstream. What made his version land was the discipline behind it. The camera work feels like an old VHS tape. The audio choices avoid easy scares. The entity at the center of the short stays mostly off-screen, which is exactly the rule horror filmmakers preach and rarely follow. He understood that the scariest thing about The Backrooms was the wait. That short turned a meme into a real piece of horror filmmaking, and it caught the attention of an industry that had been quietly watching online horror creators rise. ## Where Rap Meets The Mythos The aesthetic did not stay only in horror communities. Two years after Kane's short went viral, Playboi Carti and Travis Scott dropped "BACKR00MS," with a video that leaned into a similar low-quality, found-footage atmosphere. From the cavernous empty garage to the fluorescent-lit office spaces, the visual matched the unease that made the Backrooms aesthetic so recognizable. That move was important. It showed how completely the visual language of liminal horror had crossed over into rap visuals. The line between internet horror and mainstream rap iconography quietly disappeared. ## The A24 Pickup Now, Kane Parsons is set to become A24's youngest feature director in the studio's history, as "Backrooms" heads to theaters. A concept born from an anonymous post has officially reached the big screen, and one of the most distinctive young horror voices on the internet is going to make his theatrical debut. The pairing makes sense. A24 has built a brand on horror that respects its audience, and Kane has built a YouTube body of work that already understood those rules. The studio is not asking him to soften the project for a mainstream audience. They are asking him to bring his version of it to a bigger screen. ## A Story That Says A Lot About 2026 The full arc, from anonymous 4chan post to A24 feature, is one of the cleanest case studies of how culture moves now. A great image can find an audience without a marketing budget. A great fan community can build a mythology without permission. A great director can come straight from YouTube to a studio without a film school detour. It used to take years for an underground concept to reach Hollywood. The Backrooms made the trip in less than seven. ## Why The Image Still Holds The thing that has carried this from a meme to a movie is the original image itself. It is genuinely unsettling. Decades of liminal photography online have not produced a single picture that has spread as far or as fast. Whatever the movie ends up looking like, the moment is already historic. A horror mythology built on a single anonymous photograph has officially become a movement, a music video, and a studio release. That has never happened in quite this way before.

Topics: the backrooms, liminal spaces, playboi carti, travis scott, kane pixels, a24, culture

More in culture